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Sunday, 22 April 2012

ELENA ARZAK NAMED BEST FEMALE CHEF IN THE WORLD


Women are reclaiming the kitchen. The fine dining industry, like most other industries is very male-dominated. But thankfully, many female chefs are beating their male counterparts at Top Chef to being awarded Michelin stars for their exceptional culinary skills.

Each year in mid to late April, S. Pellegrino announces the World's 50 Best Restaurants, at least in their opinion. Last year in advance of the restaurant awards they announced a brand new award: The Veuve Clicquot Best Female Chef, celebrating “the work of an exceptional female chef whose cooking excites the toughest of critics” — which was given to French chef Anne-Sophie Pic.

While we aren't entirely sure why there is a need for Best Female Chef versus just Best Chef, once again in advance of the main awards which take place on April 30th, the 2012 Best Female Chef award goes to Spanish chef Elena Arzak.


As her surname alludes to, Elena Arzak is the daughter of Juan Mari Arzak (also known as the father of New Basque Cuisine), who was honored with the Lifetime Achievement Award at last year’s World's 50 Best Restaurants ceremony. And, this year she will step on the same stage to accept the award for the Best Female Chef.

The father-daughter duo share chef duties at the acclaimed Arzak Restaurant in San Sebastian, where they work in a kitchen that is a perfect mix of contemporary and classic. The restaurant, which was ranked N.8 on last year's best list, holds three Michelin stars and Elena is the fourth generation of the Arzak family to head up the restaurant since it opened in 1897.



She trained in Switzerland and cooked at some fairly reputable spots — Maison Troisgros, Bras and Pierre Gagnaire, Carré des Feuillants and Le Vivarois in France, Louis XV in Monte-Carlo, Antica Ostería del Ponte in Italy, Le Gavroche in London and Adrià at El Bulli — before returning to the family business.


In a statement Elena Arzak said of the news: “It really humbles me and has come as such a surprise. I am happy for Arzak, the restaurant, my father and my family…4 generations! I remember when my grandmother was cooking and how much of an inspiration she was. With this title, I think of her even more.”

Congratulations Elena!





Source:
cookingdistrict.com
luxpresso.com

Sunday, 8 April 2012

JOHN BAGNOLD BURGESS AND OTHER VICTORIAN BRITISH PAINTERS OF SPAIN


Before the Revolutionary War, Spain had little attraction for foreign travelers. After the war, Spain began to acquire an aura of exoticism and extravagance which attracted a good number of onlookers, mostly French and English. The Moorish Andalusia, the guerrilla fighter, the obscurantist Church, the generous bandit, the handsome bullfighter, the lady with mantilla, the barefoot children, the beggar full of rags ... They wanted to see a different country, and when they did not see it they just invented.

A score of several English painters, John Bagnold Burgess, Edwin Long, Robert Kemm and Trevor Haddon, among others, disclosed aspects of the most typical clichés about Spain, as could it be otherwise, Andalusia concerning a land that "admired and despised" but acting on their retina "as a powerful magnet."

John Bagnold Burgess: Born in Chelsea (1829-1897). He was an English artist known for his paintings of historical and genre scenes, mainly in Spain. John came from a family of remarkable painters: his father, his grandfather, his great-grandfather and a couple of uncles.

Burgess started his career by painting portraits and genre works, before travelling to Spain in 1858, accompanied by his friend and fellow artist Edwin Long - who would become his travelling companion on future painting trips to the country. For the next thirty years, Burgess was an annual visitor to Spain, often spending days with Spanish peasants, living their life and sharing their food. He also went to Morocco at least once.

Burgess's first great success was his "Bravo Toro" in 1865, followed by "Stolen by Gypsies", "Kissing Relics in Spain" , "The Barber's Prodigy" and "Licensing Beggars in Spain" . In 1877, Burgess was elected an associate of the Royal Academy. He died from the congenital heart disease which had troubled him all his life, and was buried in the Paddington Cemetery at Willesden.









Edwin Long: Born in Bath, Somerset (1829-1891). Long was an English genre, history, biblical and portrait painter. Long made the acquaintance of John Phillip and accompanied him to Spain, where they spent much time. Long was greatly influenced by the paintings of Velázquez and other Spanish masters.





Robert Kemm: Born in London (1827-1895). He traveled to Spain, especially Andalusia, seeking inspiration in landscapes and genre scenes. Embodied on canvas delicious figures of fighters, bandits, beggars, guitar and various celebrities. Many of his works reflect the atmosphere of the city of Seville.






Trevor Haddon: Born in Greater London (1864-1941). Haddon was a painter and watercolourist of the Italian and Spanish landscape and country genre. Travelled extensively in North and South America, including Venezuela, between 1921 and 1930. Author of The Old Venetian Palaces, Southern Spain and other works. Lived mainly in London and latterly, in Cambridge, where he died, aged 77.





Monday, 26 March 2012

GOING FOR A STROLL IN SOME PARKS OF THE CITY



Now that spring has just arrived I felt like writing a springly post. And what better than writing a post about parks? (The photos have been taken by myself during some of my visits to some parks in Madrid).


The Retiro Park




It is Madrid's main park. El Parque de el Retiro, is not far from the city's main tourist attractions such as the Prado Museum and is a very popular and magnificent place for a stroll. Home to several sculptures, monuments, and a boating lake, it also presents an annual book fair, and there are free concerts throughout the summer. Many local families spend their Sunday afternoons here, renting a horse-drawn carriage or paddling a rowboat in the pond. But it wasn't always this democratic, as in the 17th century only the royal family was allowed to use it privately, hosting pageants, bullfights, and mock naval battles. Only a century later did it open to the public, but even then visitors had to be formally dressed to enter.


The Royal Botanical Garden



Madrid's botanical garden was inspired by king Fernando VI and then another king, Carlos III, inaugurated it in 1781. Especially attractive are the wild roses of many hues and varieties, and the Classical Romantic Garden with a duck pond.


The Campo del Moro and the Sabatini Gardens


These gardens belong to the Royal Palace and were opened to the public in 1978 by order of the king Juan Carlos I.


The West Park





This is Madrid's best landscaped park, structured according to the style of British or naturalistic parks with great open grass spaces and copses. In the bottom half of the park we can find the Rosaleda, the rose garden. Nearby, it is possible to take the cable car or Teleférico to the Casa de Campo.

The Casa de Campo Park





Literally called the "Country House", the Casa de Campo consists of 1722 hectares and is therefore one of Europe's largest public parks. In the 16th century, king Felipe II ordered the purchase of the Vargas' country house, around which further grounds and estates were added. The park was declared the "Royal Forrest" under the reign of king Fernando VI. It suffered enormous damage during the Civil War and was finally handed over to the City Authorities in 1963. Its flora is represented mainly by Mediterranean oaks, ash groves, copses and reafforrestation areas; the fauna by a variety of birds and small mammals, rodents, and insects. It has a trade fair area, an amusement park, Madrid's Zoo and the Teleférico (cable car).


The Capricho Park


El Capricho (literally, a whim) is one of the most beautiful, charming and atractive parks in the city. Though this park is still quite unknown even to Madrid´s inhabitants. Maybe because it is not in the center of the city and it only opens on weekends.




In the XVIII century the Duchess of Osuna bought this ground. She belonged to a well known aristocratic family interested in music, arts and literature. They wanted the garden to become a place for leisure and enjoyment. The idea was to create a park where the visitor would be surprised by different small buildings and special arrangements, like a labyrinth, which would appear unexpectecly while walking in the park.


The Fuente del Berro Park


The origins of these gardens date back to 1631, when the owner of the land, the Duke of Frías, sold a large piece of property to King Felipe IV. It had a wealth of orchards and abundant water from a spring that irrigated then, which was known as the Fuente del Berro spring. In the present day, lush plant life, trees, including some age-old specimens, statues and monuments scattered throughout, as well as the summerhouses, lodges and pavilions that can also be seen from the paths, contribute to preserving the look of this late 19th/early 20th-century garden.



This park occupies 7.4 hectares, 1200 square metres of which have been used to plant certain species of plants that are easily recognised by blind people due to their touch and smell.


The Quinta de los Molinos Park



This park is the perfect place to watch the flowers blossom on the countless almond trees in spring, I was declared a Historical Park and is considered part of Madrid's cultural heritage.

And after showing you some of the parks of my city to go strolling, let me wish you a very happy spring!






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